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標題: A video that thanks to the potential of platforms [打印本頁]

作者: rz7079811@gmail    時間: 2024-3-28 17:00     標題: A video that thanks to the potential of platforms

For example if the dp develops a specific look where he turns off shadow darkening to hide elements of the set but then the colorist discovers that the image is too dark and turns on shadow lightening those flaws will be highlighted again when makeup is applied the artist chose precise skin tones, but something similar can happen when colorists follow trends for orange and cyan effects. The actors look like relatives from the quiet place. For this reason, the most skilled photographers cinematographers will repair the appearance of a shot to avoid unnecessary changes to their technical and artistic choices , as charlotte bruce christensen did when creating her photographs of quiet places that way

The film was shot on film and finished digitally, using cla Best gps tracker service provider in Bangladesh ssic filming filters and lighting management systems so that the look chosen by christensen and the director would not be compromised by digital filters . The type changes so that the film becomes flat. The colorist 's creative possibilities when precise instructions are not given during the shoot or when people change their minds after the shoot is complete, as often happens in advertising . The colorist 's professionalism is first enhanced when he or she must work with rapidly shot footage within the constraints of lighting, time , and preparation . A good colorist is able to revive desperate situations and make mediocre sequences work. Taking back life and space on screen




A colorist requires many different skills and not just technical skills . A colorist must have a thorough understanding of simple yet broad color theory and the technology behind camera sensors to know how to apply it . It must have skills in the physiology of visual perception. It must also have skills in psychology to assess the emotional responses of viewers when faced with different color choices. It must know how to cope with the pressure of teamwork. Force sometimes even pressure from the producer because the film or commercial is very successful and the producer wants to force him to make mediocre and conventional choices and in the end as we have already emphasized due to his richness in the field knowledge and experience he must have a thorough understanding of and proficiency in the use of one or more digital color correction software




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